About the Oregon Drum Myrtlewood Series (Solid Models)
Due to a series of circumstances beyond our control, the run of Myrtlewood Series Solid models
has come to an end. Please see the News/Events section of our site for more information.
How is the construction of our Myrtlewood Solid Shell Drum unique?
Myrtle trees must be cut between November and March when
the sap is not flowing. Once the myrtle log is brought into
the sawmill it is
cut into rounds. Each 'wet' round is then roughed to the
shape of the finished shell leaving 1-inch thick walls.
This speeds up the drying process and helps to
prevent checking and warping. Temperature and humidity
are carefully controlled for many months in a dry
kiln. All shells are brought slowly down to a low
moisture content. Even with these preventative
measures, a number of the pieces will be lost in
this process.
After the wood is dry it is prepared so that it will fit flush with
the equipment that is used to turn it into a shell. This is done
with a proprietary process that takes over an hour per shell.
The shell then goes to the sander where it is painstakingly
taken through a series of grades.
Finally, the shell is brought down to it's finished height.
The shell spends several hours in the hands of a musician with the tools and
skills necessary to turn the solid wood shell into a
beautifully crafted percussion instrument. Each shell is
carefully analyzed and sorted for tonal character.
(Those that are found unsuitable for the Myrtlewood Series are
built into experimental models that are sold on our Wood Pile.)
Bearing edges are
precision cut on a specialized router. Many passes are made with
incremental progression to slowly create each edge. This ensures that
the wood will not suffer hidden fractures that result from taking too much
material at once. Final passes alternate with time on a leveling table. These passes are
so incremental that the blade does more sanding than
cutting at this stage. The finished depth of each shell may vary slightly
from others in the series as we will often make additional passes to bring out
an emerging grain pattern that we feel should be a highlight in the drum. The edges
are then detailed and finish-sanded by hand before
the shell is taken through the first stages of our unique satin finish process.
After sealing coats are applied and sanded, optimal snare bed placement is located
and cut with a combination of tools. The snare bed is then detail sanded by
hand before proceeding.
Hardware mounting points are
determined individually for each shell and precision
drilled with a press. Once the hardware is given a test fitment, it is removed so that
the outside of the shell can receive final hand sanding and finishing steps. Once this finish
has cured, the drum is polished, waxed and re-assembled.
Once the drum is assembled it is subject to a final inspection.
The finished drum is placed in a high quality, padded case, carefully packaged
and shipped to it's new owner.
Our solid shell snare drums are assembled
when ordered and are available in extremely limited
quantities. As our flagship, the solid shell drums are available only
with the combination of hardware pictured for the given model & year.
We utilize the highest quality hardware in
our drums. We’ve chosen 2.3mm triple-flanged
8-hole batter and snare hoops to provide strength and tonal focus. For
resonance enhancement, we use the less common 8-lug configuration
for our solid shelled drums. Low-mass lugs are utilized to provide minimal
contact with the shell, allowing it to resonate freely. Free floating models eliminate
ALL hardware penetration and attachment from the shell.
Resonance of the shell is meaningless without the proper approach to hardware
isolation. We take this concept to the extreme by replacing the standard washers
with neoprene bonded versions and longer machine screws necessary for a drum shell
of such thickness. Our lugs are isolated from the shell as well in a similar manner.
Starting with the 2005 model year, Oregon Drum has incorporated it's own unique lug design
into a number of it's Myrtlewood Series models. This lug features a body designed, manufactured and
finished right here in Coos Bay, with the insert components sourced from and plated by other
US companies. This ambitious move is but one of the steps we've taken to keep our business
at home, doing everything we can to support the local economy. High grade materials
and alloys coupled with stainless assembly hardware ensure the highest quality. While an
expensive route, it's one we decided to take in order to incorporate features deemed
crucial to a premium drum.
Among our new lug's features is the VTHC
(Vertically True / Horizontally Compensating) system that assures a smooth tension rod
alignment from top to bottom hoop regardless of the minor variances in shell diameter and/or
hoop tolerances. This allows for a single-point or tube lug design that maintains proper
tension rod alignment on both horizontal and vertical planes. Additional lug strength is
assured by the use of stainless machine screws larger than those of a typical lug in combination
with our traditional isolation methods.
On drums that aren't
slot-vented, the vent (breather) hole is actually placed behind our 'Oregon Drum' badge.
The stand-offs incorporated into the badge mount allow tunable, diffused venting
without the need to disturb another panel of the drum. This unique vented Diffuser
Badge has become a distinguishing trademark of Oregon Drum.
"While many heirloom quality items are crafted from Myrtlewood
each year in small shops throughout
Oregon, never before have the acoustic qualities of
this unique wood been brought together in
such a remarkable balance with the aesthetic properties
that have been enjoyed for generations. Crafted in
the heart of Oregon’s Myrtlewood country, assembled by
a native of the same, each solid Myrtlewood snare
drum is both a treasure to behold and a privilege to play.
While a drummer might at first be hesitant to
touch, let alone strike something that is the result of
such a laborious effort, the unique and powerful sound
that has been trapped for well over a century invites you to do so."